读《家》有感

Home, in China, in old China, was a fortress of ethics.Ba Jin said that the purpose of writing "The Family" was to "declare the death of an unreasonable system." Yes, Ba Jin dissected the contradictions of feudal families during the historical transformation of old Chinese society in writing, and without hesitation, defeated them. Ba Jin was born into a bureaucratic landlord family in Chengdu, Sichuan, and he himself can be called a torrent surging in a corrupt and decaying family, showing people love and hate, and hope.In the novel, the Gao family is depicted with a couplet that reads "National Grace and Family Celebration, Long Life and Prosperity". However, feudal ethics and ideas imprison young people and suffocate them. The awakening of self condemnation, complex contradictions, and deep debt pain; Rui Yu, who was persecuted by superstitious beliefs; At a young age, the sacrifice of bound feet is Shuying; Hui, who couldn't choose her own happiness and died from being abused and melancholic, and Mingfeng, who was strong and stubborn and resisted with death; There is also the naive and bold family traitor Juehui, who are all victims of feudal families. Home, on the surface solemn and dignified, with a black door. In fact, everywhere is evil and deformity.

Ba Jin said, "I am not writing about the fleeting dreams of spring, I am writing about the rushing stream of life." Perhaps this stream lacks rationality, but it brings hope.In the novel, I think the most commendable one is Mingfeng. Mingfeng dared to cross the line of propriety and fall in love with young master Juehui, but was not willing to be a slave, at least not accustomed to being a slave. She has expectations for life, which is that Juehui once swore to marry her. And Mingfeng sincerely believes that Juehui is the maintainer of her own happiness and life. When her fate was changed amidst the laughter and conversation of Mr. Gao, she did not give in and did not take pride in becoming a "mistress". Instead, she threw herself into the lake and committed suicide, using death to maintain her innocence and shatter the hope of love. Although Mingfeng died, it was indeed a slap in the face for the seemingly prosperous family. Despite Mingfeng's humble status, it cannot be said that she has a rebellious spirit, but she subconsciously and in fact maintains her dignity as a human being. Compared to this tough girl. However, Juehui did not open the barriers of class and ultimately gave up on the girl who loved her.Darkness enveloped the Gao Mansion, and perhaps there were howls and mournful voices in the dark corners of this home. Everywhere, everywhere.

翻译：家，在中国，在旧中国，是礼教的堡垒。巴金说，写《家》的目的，就是要“宣告一个不合理的制度的死亡。”是的，巴金用文字解剖着中国旧社会历史转变时期封建大家族的矛盾，并毫不犹豫地将它击溃。巴金出生于四川成都的一个官僚地主家庭，而他自己也可以称得上是一股涌动在腐败糜烂的家庭中的激流，让人们看到了爱和恨，看到了希望。

小说中的高家，挂着“国恩家庆，人寿年丰”的对联，可是封建的伦理和思想禁锢着年轻人，让他们窒息。自我谴责、矛盾复杂、负债深痛的觉新;被迷信观念残害的瑞钰;小小年纪，就要缠足的牺牲品淑英;不能自己选择幸福，受虐忧郁而死的蕙，还有刚烈、倔强，以死反抗的鸣凤;还有幼稚而大胆的家族叛逆者觉慧，他们都是封建家族的牺牲者。家，表面上肃穆庄严，黑色的大门。实际上，到处都是邪恶与畸形。

巴金说：“我不是在写消逝了的渺茫的春梦，我写的是奔腾的生活的急流。”也许这急流缺乏理性，但却涌现希望。

小说中，最值得礼赞的，我认为要数鸣凤了。鸣凤敢于越过礼教爱上少爷觉慧，并没有甘于做一个奴隶，起码不是做惯了奴隶。她对生活有期望，那就是觉慧曾发誓娶她。而鸣凤也诚挚地认为觉慧，即自己幸福和生命的维护者。当她在高老太爷的谈笑间被改变了命运时，她并没有屈服，也不以成为“小老婆”为荣，而是投湖自尽了，用死维护了自己的清白，幻灭了爱情的希望。尽管鸣凤死了但这确是给貌似“人寿年丰”大家族的一记耳光。尽管鸣凤的地位卑微，也不能说她有反抗意识，但她潜意识里和事实上维护了做为人的尊严。相对于这个刚烈的丫头。觉慧却未打开阶级的樊篱，最后放弃了这个爱她的少女。

黑暗笼罩着高公馆，也许这个家的黑暗的角落里就有哀嚎和凄惨的声音。每一处角落，无处不在。